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Whether you are live streaming for fun or want to be a professional, a good streaming microphone can vastly improve your production.
Streaming has risen as both a leisure activity and a potential career, and so did the number of mics available. Discover our pick of the 9 best mics to upgrade your streaming!
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- Frequency Response – 50Hz-16kHz
- Sensitivity -55dBV/Pa – A/D Resolution 24-bit/48kHz
- Low Cut Filter – Highpass with Presence Boost
- Four-Capsule Array – Greater Focus & Clarity
- High-Res – 11-segment LED Metering
- Blue VO!CE – 7 Broadcast Vocal Effects
- Frequency Response Range – 20 Hz - 20 KHz
- Dimensions – 3.1 x 3.1 x 7.1 inches (80 x 80 x 180mm)
- Weight (microphone only) – 0.6 pounds (261g)
- Crisp, clear, DSP-free mic signal – Pressure gradient acoustic
- Zero-latency monitoring mode – 585g / 1.29lb
- Frequency Range – 20 Hz – 20 kHz
- Connection Type – USB-C, 3.5mm headphone output
- Power consumption – 5V 245mA (white light)
- 16-bit depth – USB 2.0 (full speed)
- Sensitivity – -25dBFS (min gain) to 15dBFS (max gain
- Dimensions – 6.0 x 2.6 x 1.6 in (153 x 66 x 40 mm)
- 24-bit resolution – 48 / 96 kHz sample rate
- Compact design – for Easy Streaming and Recording
- VO!CE Vocal FX – Works with Mac, Windows & iOS Tablets
- Cardioid & Omni Polar Patterns – 20Hz-20kHz Freq. Response
- For Podcast & Broadcast Work – & Pro Voice-Over Applications
- Dynamic, Cardioid Pickup Pattern – Detachable Windscreen
- Bass Roll-Off & Midrange Controls – 0.764 kg (1.69 lbs)
The 9 Best microphones for streaming
1. Shure MV7 Microphone
Shure's first hybrid XLR/USB microphone provides pro-level sound with minimal set-up and expertise required. Although it is more expensive than any average premium mic, its versatility justifies the cost.
The Shure MV7 is an approachable microphone that doesn’t have many buttons or switches. Instead, it is equipped with a touch panel decorated with a row of LED lights to indicate the gain level. The panel also includes a mic mute switch for on-the-fly changes.
If you are looking for a microphone that will plug into a USB audio interface to go all XLR down the line, then the Shure MV7 is your choice.
The Shure MV7 has a unidirectional cardioid polar pattern, is equipped with an integrated touch pane for mic controls, and has a recording sample rate of 48kHZ/24 bit.
Size: 6.5 x 3.6 x 6"
- Excellent vocal clarity
- USB/XLR combo
- No mic stand included
- Uses micro-USB, not type-C
2. Blue Yeti X
The Blue Yeti X is a hybrid model of the Nano and the original Yeti, a better mix of both mics.
With many new microphones entering the market, the Yeti X continues to be a reliable option for anyone looking for a great-sounding mic.
The solid Yeti has an LED-lit front panel that monitors the volume levels at a glance, and the sound quality remains blue-chip. The Blue Yeti X is the preferred mic of many professional streamers and podcasters.
Like the original Yeti, the X version still easily plugs into a PC through a USB connection.
The Blue Yeti X comes with three polar pattern types - cardioid, bidirectional, and omnidirectional. This microphone is equipped with Blue Vo!ce software, as are all Yeti family microphones.
Zero-latency monitoring and smart knob controls are among the features as well. Recording Sample Rate of Blue Yeti X is 48 kHz/24-bit.
Size: 11.38 x 4.8 x 4.33"
- Best sound of all Blue microphones
- LED front panel
- Blue Vo!ce software offers great flexibility
- Low mic stand
- Better with a mic arm
- Delicate ports
3. HyperX SoloCast
The HyperX SoloCast is one of the best among the budget-oriented microphones. This mic delivers sleek audio performance, prioritizing the sound over extensive features set for an affordable price.
The HyperX SoloCast is an easy plug-and-play, compact cardioid microphone aimed at those who don’t want extra features or distractions.
The microphone features a condenser capsule capable of recording 16-bit audio at a sample rate of 48kHz.
It offers largely accurate mic audio across the vocal spectrum - no matter your voice pitch, you won’t have any issue coming through clearly while speaking into this microphone.
The HyperX SoloCast comes with a unidirectional cardioid polar pattern and tap-to-mute sensor.
Size: 3.1 x 3.1 x 7.1 inches
- Sounds nearly identical to QuadCast Mic
- Great price
- Portable design
- No gain control on the mic
4. RODE NT-USB-Mini
The Rode NT-USB-Mini is the best choice for entry-level content creators. It has everything a premium mic has and shrinks it down to something more affordable. Still, it retains the top-class audio quality as other Rode family mics.
Rode NT is a compact, easy-to-operate, and solid-sounding microphone with a fixed cardioid pattern that is suitable for gaming and podcasting, as well as recording vocals or instruments.
The microphone does a great job zeroing in on the recording subject and dialing backroom audio originating from the opposite direction.
The Rode NT-USB-Mini is connected through a USB, has a 48kHz sample rate, zero-latency monitoring, and comes with mute & headphone volume controls.
Size: 89.3 x 141.9 x 54.5 mm
- Great sound
- Simple and compact design
- Decent software
- Software only works with NT Minis
- Picks up background noise
- Fixed pattern
5. HyperX Quadcast S
The HyperX Quadcast S is an excellent microphone for a streamer looking for an easy-to-use, clear-sounding mic.
Although it’s not exactly the Yeti X in terms of sound quality, the Quadcast S makes up for it with design and feature set.
The Quantcast S has a great bundle of a good price, sleek sound, and additional features to add to a live stream.
For an on-camera appearance on a stream, you can add some visual flair directly from the mic. The HyperX QuadCast S is covered in fully customizable RGB lighting, which makes it useful for other light-up gaming peripherals and PCs.
The HyperX Quadcast S is equipped with a cardioid polar pattern, which makes the recording sounds clean enough for serious streamers.
Its built-in shock mount helps prevent bumping sounds in case you need to reposition it.
Other polar patterns of this mic include bidirectional and omnidirectional. It’s a USB type of mic, with a recording sample rate of 48kHz/16-bit.
Size: 8.27 x 2.16 x 2.16 inches
- Touch-sensitive mute button
- Built-in shock mount
- RGB lighting
- Subpar audio quality
- Might be found overpriced for its audio performance
- Some build materials are flimsy
6. Elgato Wave 3
The Elgato Wave 3 is a feature-packed 96kHz microphone that has high-quality sound, is easy to use, perfectly suitable for streaming, and is compatible with most devices through USB.
The digital audio mixer supports up to 8 channels of audio and can output to OBS and Xsplit, which gives more control over the stream's audio.
The single cardioid polar pattern limits the Wave 3's versatility, but if you're looking for an easy-to-use microphone for your next stream, this is a decent option.
The Wave 3’s recording quality is high, with particular resistance to pops and background noise. Additionally, you can always use the onboard controls to make adjustments as well.
The mic’s recording sample rate is 96kHz/24-bit, and its features include capacitive mute, volume control, and gain control.
Size: 6 x 2.6 x 1.6 inches
- Clear audio
- Digital mixer
- Simple mounting
- Single polar pattern
7. Blue Yeti Nano
The Blue Yeti Nano is a cheaper version of the standard Blue Yeti, just with a better-sounding JLab Talk. Yeti Nano offers a digital signal processing-free, clear, and crisp signal that's ideal for streaming, podcasting, and music recording.
Yeti Nano offers a digital signal processing-free, clear, and crisp signal that's ideal for podcasting and music recording.
Yeti Nano comes with a cardioid pattern and an omnidirectional pattern, both based on individual capsules, not digital algorithms.
This condenser mic connects to devices through a USB.
Size: 8.3 x 3.8 x 4.3 inches
- Quality sound
- Sturdy build
- Cheaper than the Blue Yeti
- No stereo mode
- Basic controls
- Requires desktop Sherpa app to modify gain levels
8. Shure SM7B
The Shure SM7B was originally designed for broadcast purposes, and it tailors to every detail of one's voice. You are guaranteed to sound exquisite when using this microphone for streaming.
The Shure SM7B’s air suspension shock isolation and internal pop filter create a pure and polished sound by eliminating all mechanical noises and breathiness.
The Shure SM7B can only record what's said directly through the front of the capsule while muting the rest.
The mic is equipped with an electromagnetic shield that defeats humming noises from nearby devices, like a computer monitor or amplifiers.
The mic has a cardioid polar pattern and comes in the size of 13.3 x 7.2 x 4.8 inches.
- Good price
- Included pop-filter
- Tap to mute
- Needs a good interface or preamp to get the best results
9. Audio Technica AT2020USB+
As a unidirectional condenser microphone, the Audio Technica AT2020 finds a great balance between capturing top-tier audio without picking up the background noise.
The Audio Technica AT2020 is very versatile and streaming- and podcasting-friendly.
With a USB connectivity type and tripod stand, this condenser mic makes streaming easy for all users. Just plug it into the USB port on your PC or Mac, and it is ready to go.
The Audio Technica AT2020 comes with cardioid polar patterns. It requires an XLR cable and a mixing board to work, both of which will cost you some extra money.
Size: 6.38 inches long, 2.05 inches maximum body diameter
- Audio quality
- Handy lag-free monitoring
- Brings in pleasant room sound at a distance
- Picks up keyboard clicks
- Limited polar patterns
What type of microphone is best for streaming?
When choosing a desktop-style microphone for streaming, the first thing that should be on your mind is the sound quality.
Such potential issues as dull design or poorly-adjustable stands can be compensated for, but if your mic sounds weak or lacks in details when recording, your stream will consequently suffer too.
Between condenser and dynamic mics, choose the former - it will give you clear audio while streaming and reduce any background noises.
However, they come as a more costly option than dynamic microphones.
3 Things to consider in a streaming microphone
There are other important things to consider before pulling out your wallet to pay for your next streaming mic:
1. Needed connector
USB microphones are among the most prevalent for gaming and streaming, but you'll sometimes see that XLR is more widely used as a professional connection standard.
Hybrid USB/XLR can offer you the best of both worlds but can be more expensive.
2. Polar pattern
A polar pattern determines how much and from which direction an audio signal will be picked up by your mic. For gaming and streaming, you will need a pattern that picks up sound directly in front of the microphone and not much else from anywhere else in the room.
3. Sample and bit rate
The sample rate is the number of samples of audio recorded every second. 48kHz is the most common sample rate for many microphones, and, if you want crisp sound quality, don’t choose lower than that.
Bit rate is the speed at which a digital and audio file gets encoded. Within the streaming mic world, 16-bit and above is considered a good bit rate.
Explore the best live streaming camera
Excited to have your first stream? We hope with this review your mic choice will go smoother!
Learn more about the best streaming cameras if you want to elevate your streaming experience.
If you are new to the gear world, start with this guide on must-have equipment for a creator.
Should I rent a live streaming camera?
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What type of microphone is best for streaming?
The best microphones for streaming are condenser types with XLR connectivity.
Are condenser microphones good for streaming?
Condenser microphones are good for streaming because they give you better sound quality and reduce background noises.
Should I get a USB microphone for streaming?
If you are a beginner or amateur, then USB is a good choice. If you want more professional sound quality, then go for XLR.
What is the best microphone for live streaming?
The best live streaming microphone is Blue Yeti X.
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